I just realized I had not written an intro into Jason’s column in a while so here is a rehash of an oldie but a goodie explanation of what this is all about: for over a year now, Jason Griffenhagen (of Death by Sexy , sharp dresser, and starlet) reviews (post-release) whatever movie was number 1 in the box office the previous weekend, and tells everyone why its fucking terrible. or good. If you go through the archives (or search “Nicolas Cage” on BYT) you will realize that he has suffered for his art. And all that just for you. So read. And comment.-ed.
This week: Get Smart
-Not only a good title, but also a great suggestion for America-

Life works in cycles. Not ON cycles, as that would be the domain of many a stink-pitted city bike messenger, but IN CYCLES. Before the recent past, there was the time-honored hollywood tradition of turning movies into awful TV shows. Just take the film Clueless for example. Actually, maybe that’s not a great example, because that show and movie were totally awesome, for sure. But there was the Planet of the Apes show, and the awesome show called Friday the 13th, which actually was about a thrift store that sold supernatural objects and had nothing to do with frisky teenagers being eviscerated by a psychotic wearing a hockey mask. Come to think of it, there was MASH, and of course one of my favorite shows of all time, Buffy the Vampire Slayer. Actually, completely disregard the whole first part of this paragraph. Sometimes the small screen versions of bigtime films DO work out better than the actual films.

But as Hollywood can’t seem to come up with anything totally original enough to make into a TV show out(although a sitcom based on There Will Be Blood would be awesome, it could be called “Who Drank My Milkshake?”), BIGSHOT Hollywood Producers have found that raiding the small screen for ideas often provides them with an excellent box office take.
Unfortunately, one only has to look at films like Charlie’s Angels or Sgt. Bilko to realize that these things can go drastically wrong. God forbid someone should buy the big screen rights to Deal or No Deal, because I’ve had about all I can take of Howie “Mr. Clean is a good look for me” Mandel. But once in a great while, a film like Get Smart comes along, and actually justifies looting TV for ideas.
Get Smart is based on Mel Brooks’ classic James Bond spoofing TV show, and is one of the few recent big budget action comedies I can remember that actually gets everything right. This is no Rush Hour 3 of a film, the jokes are spot-on, and the action sequences are exciting.

Steve Carrell stars as Maxwell Smart, a secret agent who walks the fine line between being as smooth as James Bond and as bumbling as Frank Drebin. Smart works for the top-top secret government intelligence agency CONTROL, a group with a CIA inferiority complex so strong that high level cabinet meetings involving both agencies often result in fisticuffs. Smart is reluctantly partnered with Agent 99, played with leggy moxie by the gorgeous Ann Hathaway, and tasked to go undercover and infiltrate the evil CHAOS organization. What ensues is easily the most hilarious action movie ever committed to film. At least one that’s purposefully hilarious. Under Siege 2 is pretty fucking funny, but I don’t think that Steven Segal thought he was making goddam Animal House.
Carrell maximizes his comic expertise and navigates the fast moving script with ease, and, my oh my, what a script! The dialogue is hilarious, the physical comedy is equally as funny and the jokes come so fast and non-stop that even the few gags that fall short are quickly followed up by ones that do work. Alan Arkin is at his goofy best as the director of CONTROL, and The Rock also is eyebrow-raisingly good in his role as an uber-macho superagent. The frequent cameos by a whose who of comic and non-comic actors also never fail to amuse. Look for Bill Murray as an agent stuck in a tree and James Caan, in a not-so-subtle send up of Georgie W., as the President who can’t pronounce the word nuclear correctly.

Get Smart is the best Mel Brooks movie Mel Brooks never wrote or directed, and coming from a guy who lists Blazing Saddles and Young Frankenstein as two of the top comedy films of all time, you should know I don’t throw that phrase around lightly.
Of course, maybe I just thought the movie was butt-slappingly funny because of all those mojitos I was drinking at TGIFridays before seeing the film. But everyone knows they don’t put any alcohol in those anyways, so it must have been the sniffing airplane glue in the parking lot. Yeah, that had to be it.
My reaction: awesome (4 out of 5)
Next week: Will the Summer of Actually Decent Movies continue? Next week is all about PIXAR, so I’m hoping WALL-E doesn’t disappoint. Til then, would you believe I’m going to eat plantain sandwiches? Indubitably. Stay away from mall food, folks.
FYI, I believe it’s spelled KAOS (http://en.wikipedia.org/wiki/KAOS_%28Get_Smart%29).
June 25, 2008 at 12:16 pmyou are correct Caro. All that glue sniffing has altered my spelling ability.
June 25, 2008 at 12:22 pmMel Brooks sucks worse than Disco and Blazing Saddles is a racist film.
Steve Carrell can only act one way: himself, so calling him an “actor” is a huge fucking stretch.
Ann Hathaway, however, I would do.
June 25, 2008 at 12:34 pmMel Brooks is genius, Steve Carrell’s one act is hysterical, and Ann Hathaway is not only gorgeous, but is also a good actress.
so there.
June 25, 2008 at 12:38 pmWell that hook didn’t stay in the water long.
The only thing that was an untruth in my previous statement was that about Mel Brooks and Blazing Saddles.
And while Steve Carrell is funny, he’s no actor. He’s just a guy who plays himself in a bunch of different scenarios.
June 25, 2008 at 12:45 pmyeah! so there, michael. i’m obviously super-busy working today. and blazing saddles isn’t racist; it’s making fun of racists and exposing the ignorance of racism. and it’s hilarious and i love it and mel brooks is funny so shut it.
“you don’t like what i like, so fuck you”
June 25, 2008 at 12:47 pmnevermind
June 25, 2008 at 12:47 pmMel Brooks sucks, Steve Carrell’s one act is hysterical, and I have no opinion on Ann Hathaway.
June 25, 2008 at 12:48 pmet tu, eddie?
I’m like Jesus, a fisher of men. I cast my net wide and stand tall on stormy seas.
June 25, 2008 at 1:28 pmcale - should i remind you of a little mel brooks film called spaceballs?
June 25, 2008 at 1:43 pmOk, this scene is one of the funniest moments in cinema history - and I looooved the film as a kid - but if you saw it now for the first time would you still like it?
June 25, 2008 at 2:40 pmreally? no likie blazing saddles or young frankenstein?
June 25, 2008 at 2:50 pmcase closed.
June 25, 2008 at 2:55 pmoh come on. bringing out Robin hood Men in Tights is like trotting out something that paul mccartney wrote last year and saying it’s as good as the stuff he did with the beatles.
June 25, 2008 at 3:36 pmWhoever says Steve Carrell can only act one way hasn’t watched little missed sunshine followed by the office….
June 25, 2008 at 6:49 pmwhat say you about men in tights, fisher of men?
i have to agree with his lordship on this one. not a fair representation of classic mel.
June 25, 2008 at 7:06 pmGet Smart looks okay overall, good cast… but Steve Carell seems to be veering more and more toward a predictable, slapstick-style humor
July 10, 2008 at 8:03 am


“best Mel Brooks movie Mel Brooks never wrote or directed” haha
witty review as usual, LJ. i’m glad this didn’t disappoint because i’ve been planning on seeing it.
you liking blazing saddles makes your reviews (especially for comedy) hold more water in my book.
June 25, 2008 at 12:06 pm