Textual Teasers: Tantalizing Tid-Bits to Taunt Your Literary Taste
September 16, 2008 by Jena
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Every week I’ll sample the goods and spit out the juiciest pieces of prose and poetry for you—heavy on flavor, light on fat. This week, just for you, some voluptuous verse to diversify your vernacular.
Good Woman: Poems and a Memoir 1969-1980—Lucille Clifton (BOA Editions Ltd., 1987)
for the bird who flew against our window one morning and broke his natural neck
Basic Ingredients:
Lucille Clifton is one of my personal favorites in the poetry world. While perhaps not the most prevalent household name, her popularity among poets is wide and long standing. You might recognize her poem “homage to my hips”–favored by poetry anthologists and AP Lit teachers:
homage to my hips
This poem and the poem above can both be found in her Pulitzer-prize nominated collection Good Woman: Poems and a Memoir 1969-1980. The collection includes all four of the books she had published by 1980 and a prose memoir that flows just as sonorously as her poetry. What first attracted me to Clifton’s work was her precise usage of punctuation and capitalization. By precise I don’t mean proper, I mean purposeful, effective. This allows the reader to take notice of periods, commas, capital letters, etc.–they have a use beyond grammar. Neither of the above poems use capitalization, but the effect of her particular use is evident in this poem from the same collection:
Clifton’s short verse is captivating in its ability to encompass ages of philosophy, politics, pain, and love within so few lines. “for the bird who flew against our window one morning and broke his natural neck” leaves me haunted by its seemingly simple statements. It reads like a fact, but resonates worlds of questions on perception, meaning, and more.
Consider yourself succulently served.
Next Week: Chef’s choice–market value price.


“homage to my hips” could be a great hip-hop song
September 16, 2008 at 1:04 pm