BYT Empire

Brightest Young Things


Dear Summer,

 

I know it’s been a while since we talked, but seeing as I heard how you’re coming back to town sometime I was thinking we should get in touch before you get here. I was at a concert at DC9 the other night, a couple of bands--Donny Hue and the Colors and Floating Action, and their music made me think of you and the experiences we’ve shared and how I always feel, once you’re gone again, like we should have done so much more, how we should have been so much better together. So now I’m writing you this now, in hopes that when you come to visit, we can get started on the right foot, you know? To really make the most of it. Let me explain.

 

 

Donny Hue isn’t a guy, it’s the whole band, but the whole band is anchored by this guy, Ed, who has a fantastic mustache at the moment. Remember when I grew that ‘stache as a joke couple years back and dressed up in tan suits and bowties and you made fun of me because I was so literally hot all the time? This was totally unlike that mustache because it sticks out at the ends and makes Ed look like either a gypsy or a 19th century boxer. It looked good when he closed his eyes and sang like an enunciating Dylan or Connor Oberst covering Dead Milkmen songs. The drummer was amazing at playing gently and making his big snare rattle like a deadly Phil Spector reverb wall effect and his tiny bass drum would POP rather than THUMP on the more uptempo folky songs. The bass player I’m almost certain used to be in that awesome garage band the Carlsonics, but oh, she’s mellowed so much—her vocals blended, Baez-like, with his, allowing him to step back from the mic and move his acoustic back and walk around and…oh no wait it’s Olivia from the Housemates.

 

 

They were really chill you know? They whispered. The crowd was quiet. Last year when you were in town, all we did was travel and party, drinking third world beer with ex-pats in ex-pat lounges, gambling with Laotian pirates, scouring the eastern shore for the weirdest truck stop crab shack. It was amazing, but overwhelming…We barely got to relax and catch-up before you slipped away again suddenly. This summer, I promise, we’re going to chill, hard. Like really deep chillin', on lawn chairs, on a lawn as deep as the silence in the club when the musicians stepped back from the mics and sang into the air and the drummer just brushed the face of the drum to keep the rhythm and they sang Sonny and Cher and the Everly Brothers with intense sincerity and I could feel myself drifting to sleep in your arms, wet from the pool, at noon.


Donny Hue and the Colors - Good Time Happening from The Kora Records on Vimeo.

 

 

 

Or we should go to a music festival. Hear me out. I know you had your fill of those in the 90s, but I’m hoping that you can broker a truce between warring tribes, hippies and punks and indie-rockers, centered around a series of outdoor music festivals all headlining Floating Action. This idea comes from trying to go to Urban Outfitters on Tuesday to buy a t-shirt and running into a wave of Dead fans going to see the Dead at the MCI Center, and while dodging dirty dreads and didgeridoos I realized that these bros weren't so bad, that I don't need to hate them anymore, and that we should totally all get together and love one another and stuff.

 


Absolute Sway - Seth Kauffman from justin plakas on Vimeo.

 

How long has it been since we’ve seen an honest to god Hippie in these parts huh? We used to hang out with them all the time in college, but it seems like you knew way more than I ever did…in fact I only ever knew them through you. So I thought you could help me spread the word. There are some bands doing it already: My Morning Jacket, Band of Horses, Anomoanon, Cat Power, various Arthur Magazine love-children…but no single champion for cross cultural healing of the divergence that began sometime in the late 80s, where everyone got stuck in these roles: Hippies had to listen to shitty music, punks couldn’t not mosh, and heepsters refused to take off their clunky shoes and spin around in the sunshine.

 


 

Before they even started playing I loved this band, mainly because they tested the mics with instant perfect four part harmony. Then I took a look at singer Seth Kaufman’s hat. It was almost identical to the one Tim Heidecker’s father wears on vacation. It said, wordlessly: “Hey man, I’m not fishing right now, but given the opportunity, I would go fishing. Also if I were one of the Outer Banks, I would be Ocracoke, not Nags Head. I’m not into all that windsurfing shit.” Then the harmonic warm-up became the song Don’t Stop Loving Me Now, which somehow merges Elephant 6 modpop, Archers of Loaf indiejams, and a Motown beat. That’s when I knew you and I had to have a serious talk.

 

 

 

Summer, throughout the rest of the set I was making a list of all the ways that we’re going to treat each other better this year when you come to DC. When the bass player made silly scrunched-up faces during “Diggin” I swore to take myself less seriously, wear shorts and oversized sunglasses, maybe a floppy women’s straw hat. When the drummer battered the rim of that same big snare in a reggae intro I thought about how we could listen to more Bob Marley like you always want to and how even though I never choose to listen to early 70s reggae when I actually do it fills my heart with niceness. And when Seth switched to a crazy sitar sounding guitar and plugged his curly white telephone cable cord into it and started pulling out sinewy psychedelic lines  that could come from late Deep Purple or the Three O’Clock or Roky Ericson, but shot through with warm harmonies and powerpop chords, I tried to think of what you could do in return and I just couldn’t come up with anything except please be here, with me, down the ocean, up a mountain trail, on the avenue, on a road trip in a rented convertible, eating funnel cake and flavor ice and fried chicken, stacking 40s in the yard and passing out in the park under a tree to noises of dogs playing and children screaming. Just be here soon, I miss you so much, and I'm trying not to forget.

Hurry hurry hurry!

Previously in Live DC:

God loves a cheerful giver.

COMMENTS (10)

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3 years ago jimbeam said

Donny Hue rocked. Floating Action was really, really, really not good. I mean, if I wanted to listen to the guys who loved Phish in college but couldn't do anything interesting musically, I'd be living in Burlington, or Asheville I guess. The music was boring, the trustafarian style was ridiculous and it was a shame Donny Hue couldn't just play an extended set. (Also, the room almost completely cleared for Floating Action- who had a song titled "So Vapor", by the way). But you don't have to take my word for it...

3 years ago middle sister said

donny hue definitely rocked my socks. unfortunately, i wasn't as taken with floating action.

3 years ago Constructive Critic/Ernest said

I wasn't taken with donny hue either. So unoriginal. We need bands that sound fresh and contemporary.

3 years ago jimbeam said

What does a "fresh and contemporary" band sound like?

3 years ago (star of) David said

Donny Hue stole the Washington Social Club rhythm section and now they are all mellow. BOOOOOOO!!!!!!!!!!!!!!!

3 years ago Constructive Critic/Ernest said

fresh, you know, as in something you haven't heard before or even if you have, the resemblance is not immediately apparent but interesting and subtle. And even if it’s not particularly subtle, there’s still something different. Can be anything, no matter the genre, aany texture you can derive pleasure from because it does have something to it, not because some Peter tells you should. Of course, one has to cultivate a taste to tell the shit from fluff, or worse.

3 years ago jimbeam said

So, basically your opinion is you didn't like it and your only argument is blah blah blah derivative.

So either it's "different", or it's not so "different" but hides that with subtlety or it's actually not very subtle about the fact that it doesn't offer much "difference," so long as it's "different" enough. What is it you actually don't like? Other than it's not "different" enough and it doesn't agree with your "cultivated" taste. If you don't like to music, that's fine, but at least say something about it besides a bunch of abstract BS about difference.

3 years ago Constructive Critic/Ernest said

So, basically, if you expect concrete answers, shouldn't you ask concrete questions, d i m b e a m?

As for this particular act, why s h o u l d I like it? You tell me. What’s your argument besides it “rocked”?
The guy's hipster attire, tight pants and all that?

The stuff in question is a generic acoustic folk, listenable at best, but masturbatory, dull and quickly annoying. Just because it sucked less then the other band didn’t mean it “rocked“.
Hope this helps.

3 years ago pedro said

i'll settle this argument

jimbeam likes music that is pretty but not cheesy--elliptical lyrics, simple folk chords, unvarnished acoustic guitar sounds and indiosyncratic vocals.

cc likes music with a lot of blips and bloops and minor keys and time signature shifts and variance of song structure--a style that has been denoting DIFFERENT and GREAT LEAP FORWARD since Magma's first show in '69.

neither one of them is enough of a musician or theorist to define what they like so they're going to continue to argue past each-other and talk in generalities while pretending to disagree.

i like hella sweet summer jams that make we want to pull wicked tubes and get mad bronze on the beach at santa monica, and i dont give a shit if anyone disagrees, bra.

SURF AND DESTROY YA YA YA

qed

3 years ago Constructive Critic said

To think that with all the money required to educate a pedro one could feed the starving children of Honduras, Guatemala, Nicaragua, and Bolivia combined, like for years. What a coxcomb. What a waste.

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